Selasa, 31 Juli 2012

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The Martians Are Coming!: The True Story of Orson Welles' 1938 Panic Broadcast, by Alan Gallop

It was Halloween 1938 when twenty-three-year-old Orson Welles fooled America into thinking it had been invaded by aliens.

The Mercury Theater on the Air production of H. G. Wells’ The War of the Worlds has become one of the most talked-about broadcasts in the history of the radio. It resulted in mass panic across America. People ran into the streets screaming that the world was ending. Churches were emptied of their congregations, cinemas of their audiences, restaurants of their patrons. Panic-stricken families rushed to their cars and drove like lunatics in a bid to escape Martian annihilation.

The Martians Are Coming! is the story of how the play came to be written, cast, rehearsed and broadcast to a credulous nation. Even Hitler, Goebbels and Mussolini had something to say about it.

The book turns the spotlight on a young genius who by the age of twenty had already conquered Broadway. Welles was soon handed a weekly radio show in which he could put on anything he pleased, providing it entertained American listeners. Soon he was on a train to Hollywood and stardom as a actor-director to set about creating Citizen Kane.

Set against the background of America’s economic depression and rumbles of another world war coming from across the Atlantic, the book sets the historic broadcast in the context of how Americans were thinking and feeling on the night their world almost – but not quite – came to an end.

  • Sales Rank: #2183417 in Books
  • Published on: 2011-07-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .70" w x 6.40" l, 1.15 pounds
  • Binding: Hardcover
  • 160 pages

About the Author
Alan Gallop is a journalist, author and teacher of PR and marketing subjects at commercial colleges. His previous work includes a book about Buffalo Bill's adventures in England, a history of the women and children who toiled in Victorian coal mines, and a biography of explorer Henry Morton Stanley. He has written about the birth and development of Heathrow and about the loss of HMS Affray, the last British submarine to go missing at sea. He is married with two children and lives in Ashford, Middlesex.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Makes you feel like you were there...
By stanley olszyna
I am of the generation just after the one in which this event occurred. Now with TV, flash news, the internet etc., it is very hard to imagine how this could be possible.

The Martians are coming! excels in doing just that. It chronicles who Orson Welles and John Houseman (yes that John Houseman!) working together as unknowns before the broadcast; the evolution of the Mercury Theatre company from stage shows to radio; the development of the script and sound effects and more; all the way through the aftermath and fallout afterwards.

It also does a pretty convincing job about the times and conditions that made this event so unique. For more than a few the radio was the sole means of contact with the world at large, for news and entertainment.

I learned so much that I did not know (which I won't spoil for you) that I could not put the book down. Incredibly, the book is only 160 pages long and wastes no time with padding and rightly so. It doesn't need it. And the pictures interspersed throughout the text even including some pages of Orson Welles' directorial script!

This book is for anyone looking for a historical presentation about the broadcast, and also anyone with moderate interest in what transpired.

Hoax? Or not? You be the judge!

5 of 7 people found the following review helpful.
ISN'T THERE ANYONE.....???
By Richard Masloski
Since there are no other reviews or comments about this book here on Amazon, I can somewhat appreciate the feelings of Professor Pierson (a.k.a. Orson Welles) when he ponders the possibility - after the Martians have declared their one-sided war on mankind - that he might be the last living man on Earth. Isn't anyone there? Anyone?

This is an extremely handsome book, beautifully produced and published by the smallish Amberley Publishing from the UK. The slim volume has a healthy physical weight to it, a solid spine, eye-catching covers, a good number of illustrations and its written content is surprisingly in-depth and detailed despite the book's seemingly few 157 pages. Yes, there are some annoying errors of fact that should never have made it into print had proof-readers been more astute, but overall there's much bang for the buck here. Author Alan Gallop delivers the goods in a highly readable and informative manner. He tells the full story of the 1938 Panic Broadcast most excitingly and covers the preludes and aftermaths of that infamous Halloween event with equal gusto.

And the thing is that what happened then is still of immense relevance to what happens in our own day and age. How truly different, for example, was the Mercury Theatre's authoritatively disseminating news across the land of a Martian invasion that was in actuality bogus - and latter day leaders authoritatively declaring the existence of WMDs to a more modern, but equally gullible, public? And in this book our author raises the profound and unanswered question as to just how "real" the subsequent news stories of the panic actually were. The Mercury Theatre yes, faked news bulletins of a Martian invasion. But how much may the reporters covering the aftershocks of that broadcast have embellished or downright fabricated? A news story isn't termed a "story" for naught. What then really separates a conscious lie from an unconscious one? And where is the real dividing line betwixt Truth and Art? Wherever audiences are - whether with ears glued to radios of old or eyes riveted to TVs of today - wherever audiences are, so is Art.

The story of Orson Welles' radio broadcast of H.G.Wells' THE WAR OF THE WORLDS is a story that should never be forgotten. Alan Gallop's admirable book helps to see that it won't be.

3 of 4 people found the following review helpful.
Very Informative
By Ligtstar
This is a fascinating history of the epic War of the Worlds radio broadcast. There were lots of facts I had never heard before. The author tells us what happened to each of the people involved with producing this broadcast. It also goes into detail about the effects of the broadcast around the country.

It was an easy quick read chock full of information.

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  • Published on: 2011-10-16
  • Binding: Paperback

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On Becoming Baby Wise: Giving Your Infant the Gift of Nighttime Sleep, by Gary Ezzo, Robert Bucknam

Distinguished pediatrician Dr Robert Bucknam, M.D. and co-author Gary Ezzo are two of the world's leading experts on infant management concepts. In this revised 5th edition, they have updated their groundbreaking approach which has found favor with over six million parents in all 50 states and has been translated into 16 languages around the world. 

For over 20 years, On Becoming Babywise has been the de facto newborn parenting manual for naturally synchronizing your baby's feeding time, waketime and nighttime sleep cycles, so the whole family can sleep through the night. 

In his 26th year as a licensed Pediatrician, Dr. Robert Bucknam, M.D. along with co-author Gary Ezzo,  demonstrate how order and stability are mutual allies of every newborn's metabolism and how parents can take advantage of these biological propensities. In particular, they note how an infant's body responds to the influences of parental routine or the lack thereof. 

Early chapters start with explorations of everyday aspects of infant management such as the three basic elements of daytime activities for newborns: feeding time, waketime, and naptime.

Practical discussions then focus on broad and niche topics including feeding philosophies, baby sleep problems, baby scheduling challenges, nap routines, sleep training multiples, baby sleeping props, Colic and Reflux and many other dimensions which impact breast feeding schedules, bottle feeding tips and baby sleep training. 

Five resource Appendixes provide additional reference material: 

1) Taking care of baby and mom 
2) A timeline of what to expect and when 
3) Baby Sleep Training Problems and Solutions 
4) Monitoring Your Baby's Growth 
5) Healthy Baby Growth Charts 

On Becoming Babywise is more than an infant-management concept. It is a mindset for successful parenthood. It can help any parent develop a plan that meets both the needs of a new baby and of the entire family. These principles have worked for millions of parents and, when applied with common sense to your unique situation, can work wonderfully for you too! Recommended by doctors across the country. "As a mom, I parented both ways.  As a certified lactation educator, I know how discouraging it is to feed a baby around the clock with no apparent advantage and how fatigue will affect her milk supply.  I also know how discouraging the first eighteen months of parenting can be without a plan.  I know, because with my first child, I did everything the opposite of what is taught in this book.  Before my second baby was born, I was introduced to the Babywise concepts.  Applying these principles revolutionized my thinking.  Instead of being in baby bondage, I was liberated to be the mother God wanted me to be.  I have consistently used this series with the women I counsel.   These mothers have met with tremendous success, whether bottle or breastfeeding."                       -- Barbara Philips, R.N., C.L.E.  Los Angeles, California

  • Sales Rank: #414 in Books
  • Brand: Ezzo, Gary/ Buckman, Robert
  • Published on: 2012-02
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 5.00" w x 1.00" l, .60 pounds
  • Binding: Paperback
  • 279 pages

Review
"From a pediatrician's perspective, this is a sigh of welcome relief for sleepless, weary parents."
         -- DAVID BLANK, M.D. of LONGMONT, CO

"My introduction to On Becoming Babywise came over 20 years ago when a discerning member in my practice noticed my frustration with the growing numbers of fatigued mothers, fussy babies, and their sleep nights.  I was handed a set of audio tapes of this series.  Being profoundly impressed with the insightfulness and relevance  of the content, I began applying the principles in my practice. Word of mouth among our community has helped our practice grow exponentially.                         --Dr. Jim Pearson, M.D.      Johnson City, Tennessee

"I am a practicing pediatrician and assistant professor of pediatrics.  Residents and new mothers I work with have found On Becoming Babywise overwhelmingly successful.  My residents report a positive difference in the confidence of new mothers who work with this plan compared to those who do not.  The freedom Babywise provides a new mother is so refreshing.   My parents become baby-wise with Babywise."                                                        -- Dr. Linda Meloy, M.D.   Richmond, Virginia

"I have been successfully using On Becoming Babywise in my general Pediatric practice for the last several years.  I have found it to be a very helpful resource for parents.  I think any negative outcomes associated with this material is due to the misapplication of the principles."                    -- Dr. Thomas Gill, M.D., Pediatrician, Johnson City, Tennesee

From the Author
This is the current edition; the completely revised & updated version of On Becoming Babywise (5th edition, February 2012).  We highly recommend ONLY purchasing the newest and most current version of On Becoming Babywise (isbn 1932740139).  It has a new chapter, several important revisions, the latest in medical updates, and is 19% longer than the former version.  In becoming one of America's leading infant management guides, On Becoming Babywise has continued to improve its methods and practices throughout its 24 years and this latest version is the result of all the best over the last two decades. On Becoming Babywise continues to gain global recognition for its common-sense approach to parenting a newborn. The infant management plan offered by Pediatrician Robert Bucknam, M.D. and co-author Gary Ezzo in this book helps parents successfully and naturally synchronize their baby's feeding time, waketime and nighttime cycles. The results? Happy, healthy and contented babies who sleep through the night on average between seven and nine weeks of age. 
The best evaluation of any parenting philosophy, including Babywise, is not found in the reasoning or the logic of the hypothesis. End results speak clearly. Let your eyes confirm what works and what doesn't. You will be most confident in your parenting when you see the desired results lived out in other families. Stage One:  Birth to 5 months -- On Becoming BabywiseStage Two:  5 - 12 months --      On Becoming Babywise 11Stage Three: 12 - 18 months --    On Becoming PretoddlerwiseStage Four: 18 - 36 months --     On Becoming ToddlerwiseStage Five: 36 - 84 months --     On Becoming Childwise
The principles of On Becoming Babywise were first shared in 1984.  Sarah was the first baby girl raised with the principles; Kenny was the first boy.  Both thrived on mother's milk and a basic routine, and both slept through the night by seven weeks.  It was that easy. On Becoming Babywise has now been translated into 16 different languages and is utilized by more than 6 million parents around the world.  As with previous editions, this update does not provide parents a list of do's and don'ts.  We wish parenting were that easy. Rather, our larger objective is to help prepare minds for the incredible task of raising a child.  We believe the preparation of the mind is far more important than the preparation of the nursery.  Both can be a lot of fun.  Your baby will not care if his head rests on designer sheets or beside Disney characters, nor is your success tied to his wardrobe or bedroom accessories, but rather to the beliefs and convictions that will eventually shape your parenting experience.  It is our opinion that the achievements of healthy growth, contented babies, good naps, and playful wake times, as well as the gift of nighttime sleep, are too valuable to be left to chance.  They need to be parent-directed and parent-managed.  These are attainable conclusions, because infants are born with the capacity to achieve these outcomes and, equally important, the need to achieve them.  Our goal is to demonstrate how this is done, but only after we explain why it should be done.  We realize there are a number of parenting theories being marketed today, most of which come gift-wrapped with unrealistic promises and unnecessary burdens. In light of the many options, how can new parents know what approach is best of their families? Since every philosophy of parenting has a corresponding outcome unique to that philosophy, we encourage new and expectant parents to consider, evaluate, and decide which approach is best for their families.  This can be accomplished by observing the end results.  Spend time with relatives and friends who follow the Attachment Parenting style of infant care.  Observe who practices hyper-scheduling, and certainly evaluate the outcomes associated with On Becoming Babywise.  In which homes do you observe order, peace, and tranquility?  Don't take any marketing plug or some strangers word for truth.  Search for yourself.  Consider the marriages as well as the children.  Is mom in a perpetual state of exhaustion?  Is she nursing every two hours or less?  Is Dad sleeping on the couch?  What is the family life like when a child is 6, 12, and 18 months old?  Is Mom stressed, frustrated, or lacking confidence?  Is the baby stressed, exhausted or insecure?  When the baby is nine months old, can the parents leave the room without the baby falling apart emotionally?  We believe the best evaluation of any parenting philosophy, including the one found in On Becoming Babywise, is not found in the reasoning or the logic of the hypothesis but in the end results.  Let your eyes confirm what works and what does not. You will be most confident in your parenting when you see the desired results lived out in other families using the same approach.  Look at the fruit and then trace it back to its seed source.  The principles contained within the pages can help parents develop workable strategies that meet the needs of their babies and the rest of the family.  These have worked for millions of parents, and when faithfully applied can work wonderfully for you!  However, your pediatrician or family practitioner should always be consulted when questions arise about the health and welfare of your baby.  Enjoy the journey of parenting!

"As a pediatrician, I cannot argue with the success of On Becoming Babywise.  It is such a practical approach to parenting.  It provides infants with needed structure and stability and brings the joy and love so needed in our homes today.  The effects of not using On Becoming Babywise show up very quickly.  That is why I have made these principles a priority of discussion in every well-child care visit.  Parents constantly tell me, "It changed our lives."                                                         -- Dr. Janet Dunn, M.D.   Chatsworth, California"As an obstetrician and a mother, my concern for a healthy out-come continues beyond the moment of delivery.  Because the principles of On Becoming Babywise are so effective, I consider it part of my extended health care for the family.  The principles are simple, yet amazing.  They consistently produce babies who are healthy, content, and who sleep through the night at an early age.  Feeding a baby on demand simply cannot compare to the overall healthy benefits of Babywise.  The concepts take the guesswork out of early parenting and provide new moms the confidence of knowing what happens next."                                                         --  Dr. Sharon Nelson, M.D.   Glendale, California"As family physicians and a husband-wife team, we are often asked questions related to parenting and the general care of children. Most of our basic responses are found in On Becoming Babywise. For answering parenting questions, it has become a practical guide, giving us a sense of competence and confidence as physicians and as parents. When the principles are put into practice, parents reap abundant rewards."                             --Tony Burden, M.D., and Margaret Burden, M.D. Bellingham, Washington

From the Inside Flap
"Babywise provides sound parenting advise and common sense pediatric care to many parents who are confused, frustrated, and downright sleep deprived.  As a pediatrician and father of four, my wife and I routinely receive positive feedback regarding our children's behavior and sleep habits.  Parents feel confident and relaxed when they have a plan and a goal for their infant and family.  Once a family has found success with the principles of Babywise, they pass along their satisfaction to every new parent they meet.  Simply put, "It works!"                                                    --  Dr. David M. Miller, M.D.    Superior, Colorado

Most helpful customer reviews

1299 of 1395 people found the following review helpful.
A more neutral perspective
By Will Riddle
I am not interested in Ezzo- or GFI-bashing here in this review.

As a mom of three infant boys, each a little over a year apart with one more on the way, I see nothing wrong with the gist of the Babywise book. The principles for eating and sleeping work rather well if you employ them with some grace and flexibility as tiny ones require. Contrary to what you may have heard, the Ezzo's do not suggest tossing your tenderness, intuition, or creative parenting out the window--they provide some basic eating/sleeping instructions very similar to those sent home with Mom a generation ago from Dr. Spock, the pediatrician, or the hospital nurse (but not highly common nowadays due to the AAP's shift in philosophy). Such advice will not harm your baby unless you employ their methods religiously as if it is the "magic formula" to enjoying newborns. There exists no such formula--not in Ezzo, and not in the Sears or child-centered camp either.

Briefly, the basic principles covered include:
1. Feeding approx every three hours
2. Trying to keep your baby awake during feedings and a little afterwards.
3. Putting your baby down to sleep before the next feeding
4. Keeping your baby on a eat-wake-sleep routine to help their hunger stabilize for faster nighttime sleeping.
5. Trying not to allow babies to become overdependent for sleep on any one prop (rocking, swings, slings, pacifiers, car rides, etc).
6. Generally helping the baby's needs to fit into you and your family's routine, rather than arranging you and your family's needs completely around the baby's routine (or having none at all).

I maintain that these principles, while presented a little briskly, are not damaging to infants. They are in fact very helpful if after a month or two your baby does not naturally seem to eat or sleep with any pattern, or if he/she has the days and nights mixed up. But people take the Ezzo's too far when they pretend that their methods are gospel to tending, pacifying, or loving newborns--or MAKING them do anything. All they can do is provide guidelines for structure. And yet there is a tendency for new parents with a distinctively wailing newborn to be anxious for solutions to stop the crying, and for signs that they are feeding the child enough, doing all the right things. If you follow Ezzo (or Sears) believing that they will keep you safe, your real relationship with your baby may suffer because that is the wrong mentality to approach parenting. It is this formula-seeking, intimidated approach to parenting that is the real danger to a child's health and psychology, not the actual guidelines in the book. I thoroughly believe that any wild incidents you hear about concerning Ezzo-following came from this mentality, at the root.

That said, it is also true that not all methods are created equal. With one preschooler, one two-year old, one baby, and one forthcoming child in the house now, my husband and I have found that a philosophy which leans a little more towards where the Ezzo's are coming from produces better results than the philosophy that the Sears' or even the AAP endorses, especially by late toddlerhood. The tendency for child-centered parenting to go awry by the two-year old stage--for the parent OR the two-year old!--is noticeable. And the time demands on a parent (or two) practicing this way is almost impossible if you work or your children's ages are close together.

I agree that Babywise could use a little more seasoning of flexibility and lovingkindness in its presentation. It seems to assume that you have already heard all the right ways to parent and is therefore coming from a corrective position rather than an objectively inexperienced one. However, the basic principles are presented clearly and that is the purpose of the book. I found that the principles worked especially well with my first son who cried a lot, had reflux, and could have been considered "a difficult baby." The advice was not so necessary for my next two sons who were easier babies in the eating/sleeping area (and had a more experienced mom!). For more warmth and depth, I'd recommend Tracy Hogg's "Secrets of the Baby Whisperer" which combines the best of the Babywise advice along with some humor and nuanced examples of how to apply this stuff.

Or, on the philosophy end, you can try "The Mission of Motherhood" by Sally Clarkson for a vision of motherhood as a whole and then try to apply the Babywise advice in that context. After all, parenting (even infants) is not just about helping them to eat and sleep right... although it certainly feels like that for the first couple months.

399 of 435 people found the following review helpful.
The theory works, but use common sense!
By A Customer
There is some valid criticism of this book, which is the reason that I only reluctantly give copies to brand new parents--both singing the praises of the methods and warning not to apply everything Ezzo recommends blindly.
The basic premise is that you feed your baby when it first wakes, and wake the baby if it falls asleep before getting a good, complete feeding. Then you try to keep the baby awake--at first this will be only a few minutes, maybe just 2 or 3 minutes in a newborn. Then, while the baby is still awake, lie him or her down to sleep. The main idea is that you don't let the baby depend the breast or nipple to go to sleep--the baby learns to comfort and put herself to sleep. The theory is that babies wake naturally every few hours. With this method they have the skills to get themselves back to sleep without fully waking or waking you once, twice, three times each night.
It REALLY works for most babies. I'm sure there are some babies who just don't have the temperment for this, but it worked like a charm for my baby, and for all of my friends whom I've turned on to the book. I have a five month old who sleeps 12 hours at a stretch without waking and has done so since she was 10 weeks old. Not ONCE since she was 10 weeks old has she awoken in the middle of the night, and she wakes up in the morning so happy and calm it's hard to believe. Often, she'll wake about 1/2 an hour before her usual waking time and "sing" and coo to herself in the crib. When she sees me come into the room, she is grinning from ear to ear. And despite the fact that she has just gone over 12 hours since the last feeding, she is not ravenously hungry in the morning--rarely finishes her very first bottle.
The one drawback to this method is that it's hard for the baby to sleep anywhere but her own crib. We don't go out much, but find that when we do, we can't stay out too long past the baby's bedtime because she won't just fall asleep in the car seat or our arms for more than a few minutes as our older daughter did. She gets very cranky and tired, and seems so releived when we finally get home to her own crib. She's also comfortable in her portacrib, so that she won't go bezerk when we travel--don't forget to factor this in!!!
That said, the critics are right when they say some of Ezzo's advice is stupid and dangerous. Even though he claims his recommendations for a feeding schedule are flexible, they are actually very rigid, and an inexperienced parent who tries to rigidly adhere to them can end up causing dehydration in the baby. I tell people I give the book to that they should try everything they can to make sure the baby takes as much as she can with each feeding, but if she can't go as long as Ezzo recommends between feedings just go ahead and feed sooner. It still works fine.
Also, it's ridiculous to let a newborn "cry it out" for more than just a few minutes. My children have the uncanny knack of just escalating and escalating when any attempts are made in that direction. So just be consistent. If the baby seems to be getting more upset, go in and give comfort, and then start the routine to get the baby to sleep again. I only had to do this for about 2 days to get my newborn to settle down for naps.
Sometimes during the day, my newborn would cry for no apparent reason and be very upset. My attempts to comfort her didn't work, so I'd put her in the crib to give myself a moment to calm down. And the minute she'd hit the crib she'd smile and go right to sleep. She was trying to tell me that she was tired and wanted to be in the place where she sleeps.
Ezzo's idea to place the baby in the playpen or a baby seat in front of a window to amuse herself is pretty ridiculous for a young baby. Baboes aren't awake that much to begin with. PLAY with him or her!!!! As your baby gets older, you can leave her in a safe position to play for a little while--but don't expect 45 minutes as Ezzo recommends. When you're baby starts to express frustration, it's time to give your baby some attention.
However, I don't agree with critics who say this method is incompatible with "attachment parenting". Nothing says you can't be very attached to your baby while letting her sleep in her own space--at least for naps and for most Americans at night too. This baby sleeps so well and seems very secure and serene. She is cuddly and happy to be in our arms, but just as happy to be put in her crib when she's tired. When she's had enough rest, she is positively joyful (and so am I!!!). When she's awake, I am with her, carrying her in a sling or front pack, playing with her on the floor, tickling her on the changing table--everything an "attached" parent would do. But with this method the baby takes great naps so I get things done or a chance to rest myself, and we both have wonderful, restful nights.
If you overlook some of the advice Ezzo gives, I think the basic premise is very good.

348 of 415 people found the following review helpful.
Very misunderstood, but wonderful book
By J. Leo
A friend recommended this book to me before my first daughter was born, and after reading the reviews on Amazon, I was certain that I wanted no part of it. After my friend assured me that the things I had read were in no way true, I bought the book and have used it with both my girls, and recommended it to everyone I know expecting babies.

First of all, this book NEVER says not to feed your baby if he/she is hungry. In fact, it states in bold, in several places, that you absolutely need to feed your baby if he/she is hungry, regardless of whether they last ate 3 hours ago or 1 hour ago. One of the main points of the book is to try and figure out why your baby is crying or upset. If he/she is hungry, feed the baby. However, your baby may cry for many reasons, and not all of them are because the baby is hungry. Feeding your baby everytime he/she cries leads the baby to snacking, which isn't good for you, and is especially bad for the baby if you are breastfeeding. The richest, most calorie dense milk (hind milk) is found toward the end of the feeding cycle, and doesn't come the first few minutes of nursing. If your baby is snacking, he/she is never getting that rich hind milk.

The second main point of the book is to change the cycle that most parents employ with their babies. Instead of putting the baby to bed right after feeding, feed the baby after he/she wakes up from naps. This way, the baby will stop eating when he/she is full, not when he/she is tired, which is a huge problem, especially with very little babies.

I don't believe there is one single right way to raise children, so if you've read the book and don't think that their methods fit with your lifestyle or goals, that's one thing. But I can't see how anyone who has actually read the book can dismiss it as dangerous. Again, the book tells you in several place, in big, bold letters, that if your baby is hungry, FEED YOUR BABY!

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Senin, 23 Juli 2012

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How to Date Better, by Ella Ceron

It’s the 21st Century and being in any kind of romantic relationship — defined, undefined, or unrefined — is tough. Online dating and hook-up culture, Tinder and Snapchat, Friends with Benefits and Missed Connections. Our modern dating landscape doesn’t look like anything that’s come before, and we’re the brave explorers trying to make sense of it. This collection of practical advice tells you how to do it better. More freedom and less drama. More fun and less guilt. More connection and less loneliness. From the “Ugly Truths about Dating” to “Why Modern Dating is Better.” From the “Things Men Will Always Find Attractive in Women” to “Ways to Know You’re With the Wrong Guy.” From “Advice for the Awkward Dater” to your new go-to questionnaire: “50 Questions to Ask Your Crush to See if They’re Right for You.” This is your map to the modern dating landscape, a practical guide to finding, friending, hooking up, breaking up and falling in love in the 21st century.

  • Sales Rank: #3947671 in Books
  • Published on: 2016-02-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .36" w x 5.50" l, .42 pounds
  • Binding: Paperback
  • 144 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Loved it!
By Shameg
I found this very helpful having recently suffered a heartbreak. It helped me to see where I went wrong in the relationship and where my partner fell short. Funny, light-hearted, and to the point. Some great advice here. Gives me hope for my future relationships. Great read for both men and women, written from a male perspective.

1 of 1 people found the following review helpful.
Interesting
By yeareynolds
I just had a pretty painful breakup, figured out that I was the reason the relationship needed to end and decided I really need to work on myself. Working on getting through the break up and either moving on or trying again with her after I find a new version of myself I'm actually happy with, in the end I need to be more open and adult with my relationships. Adult not meaning sexually but being mature and respectful and being partners instead of trying to become one person. This book is a compilation of writing pieces that offers view points on relationships that we all know but some we refuse to listen too. A nice short read that will leave you thinking about how you approach relationships and how you construct bonds with the people around you. Plus it's cheap, so why not read it?

0 of 0 people found the following review helpful.
Loooooooooove
By Tina Stringer
Love love love love. It opened my eyes and showed me things I don't realize I do. Also, has some very quotable things! I recommend.

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Minggu, 22 Juli 2012

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Charles Ives: A Life with Music, by Jan Swafford

An illuminating portrait of a man whose innovative works profoundly influenced the course of twentieth-century American classical music.

Jan Swafford's colorful biography first unfolds in Ives's Connecticut hometown of Danbury, then follows Ives to Yale and on to his years in New York, where he began his double career as composer and insurance executive. The Charles Ives that emerges from Swafford's story is a precocious, well-trained musician, a brilliant if mercurial thinker about art and life, and an experimenter in the spirit of Edison and the Wright brothers.

  • Sales Rank: #113777 in Books
  • Published on: 1998-01-17
  • Released on: 1998-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.40" w x 6.10" l, 1.66 pounds
  • Binding: Paperback
  • 544 pages

Amazon.com Review
This is a scholarly assessment of the American composer Charles Ives, whose life and work have remained enigmatic since his death in 1954. A successful insurance executive in Hartford, Connecticut, Ives used a considerable part of his tidy income to promote serious modern music, and despite his day job maintained a prolific output of scores himself. He was a robustly opinionated and confident individual who eschewed easy listening; his atonal works were considered almost un-American. Yet he also sought recognition that just eluded him in his lifetime. Ives is increasingly known around the world. Jan Swafford, himself a composer, should help win even more interest with this sympathetic biography.

From Publishers Weekly
Charles Ives (1874-1954) was the first great composer of American serious music (though he would have hated that phrase) and also, paradoxically, a pioneer in the nascent life insurance industry around the turn of the century, whose approaches are still known and followed. Inspired by his bandmaster father, he sought always to hear more acutely and to render a music at once popular and profound; and in his experiments with atonality and polyrhythms, he long anticipated the discoveries for which European masters like Schoenberg and Stravinsky are renowned. In his later years, as his own creative gifts faded, he lavished much of his considerable wealth on the promotion of his own, and others', music?as long as it wasn't "sissy" music, by which he meant anything too soothing to the ear. The perceived performance difficulty of much of his work, and its very different sound from what audiences were accustomed to, meant that his life was almost over before he began to be appreciated as a master, a profoundly American original. Swafford, himself a composer as well as a superb writer, has worked brilliantly on Ives's behalf: the depth of his research, his insights and his constant empathy have brought the old curmudgeon (and to many modern eyes, Ives must seem an absurdly anachronistic figure) to vivid life, at once a comic and a tragic figure?and in terms of his significance in American artistic life, on the level of Twain or Whitman. Photos not seen by PW.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
In the past ten years, two excellent biographical studies of Ives have been published (Stuart Feder, Charles Ives: "My Father's Song," Yale Univ., 1992; Peter Burkholder's Charles Ives: The Ideas Behind the Music, Yale Univ., 1985). Here Swafford, a composer long fascinated with the music of Ives, has contributed an outstanding addition to this recent rekindling of scholarly interest. In the author's words, this is an "Ivesian" biography in the sense that the life and music are inextricably interwoven. In many ways, the book does resemble a work of Ives. It is sprawling, rich with fascinating details, quirky, opinionated (though the author is careful to identify his own speculations), and very appealing. The opening paragraph, for example, consists of one 203-word sentence that paints a colorful, Romantic portrait of the Ives homestead in Danbury, Connecticut, in a manner that will remind readers of Ives's own tonal landscapes. Though the book is written in very inclusive language, musicians will appreciate the occasional technical references contained in the endnotes?a fascinating section in itself. Highly recommended.?Larry A. Lipkis, Moravian Coll., Bethlehem, Pa.
Copyright 1996 Reed Business Information, Inc.

Most helpful customer reviews

28 of 29 people found the following review helpful.
A high-water mark in musical biographies.
By Bob Zeidler
Quite recently, I had the privilege of reading a copy of this book that was the personal copy of a musician who had been involved, in a rather unique way, in the centennial observation of Charlie Ives's birthday back in 1974. For reasons of geography, then musical interest, he "got to know" Charlie quite well, even if only 20 years after Charlie's death. I immediately ordered my own copy, while continuing to read the heavily-annotated copy of my musician friend. (It was rather vicarious pleasure, "looking over the shoulder" of this musician, to see what it was about the music, life and times of Charlie that fascinated him.)

In his early years, Ives was a one-man dynamo. Learning much of his music theory and practice from his father George Ives, who had been a very young (perhaps the youngest) Civil War band leader, and then from Horatio Parker at Yale University, he had more than a "thorough grounding" in the basics. However, unlike most American composers, particularly those of his and the following generation, he did not go to Europe for a post-grad internship with any known European composer, but simply set out on his own after matriculating from Yale. He went to New York City, employed as an insurance clerk for one full-time job, wrote music constantly for another full-time job, and had yet another career, had he wanted it, as organist and choir director for the Central Presbyterian Church in New York. During this period - leading up to his marriage in 1908 - he literally burned the candle at both ends. (Swafford goes on, later in the book, to posit why Charlie had this incredible burst of energy for the first 15 or 20 years of his adult life, but it's best that his reasons for this - and for Ives's shortened composing career - be left to you, the potential reader.)

Most anyone who knows anything about Ives knows that he became comfortably wealthy in the insurance industry, that during his active composing days little of his music was played by anyone, and that he was - literally and figuratively - burned out by the time he was only 40. For the remaining half of his life, much of it was spent editing, publishing and promoting his music and the music of others, including many friends, using the proceeds from his insurance success to underwrite projects for many composers who would have gone unnoted had it not been for him. Musical success - unlike business success - came too late in life for him to truly enjoy at least its artistic, if not financial, rewards. He was in his last years when Leonard Bernstein premiered his Second Symphony, and never lived to hear his masterpiece - his Fourth Symphony - premiered by Leopold Stokowski in 1965. Despite this, he was far from an unhappy man in his later years; philosophically resigned yet optimistic that his day might yet come would be the more accurate description.

Swafford's writing is simply wonderful. It tells the story of a true American iconoclast; an "original." The narrative flows beautifully without omitting anything of significance in Ives's life or about his music. (The book contains nearly 80 pages of endnotes, in which the musical marginalia are explained in exhaustive, but emminently readable, detail, to preserve the flow of the main narrative.) In parts, it is incredibly moving. I particularly enjoyed the extended "mating dance" of his courting of Harmony Twichell, who was to become his life-long helpmate (and who did live long enough to attend the Stokowski premiere of his masterpiece, as the guest of honor). Ives, ever the Victorian man if something else as a composer, would always refer to her, to third parties, as "Mrs. Ives." Yet their fifty years together could be a model for today's dysfunctional families. A beautiful chapter; one of the best in the book.

There's a curiously cryptic endnote that suggests a "what might have been." It is a fact that very little of Ives's music saw public performance before the early 30's, when Nicholas Slonimsky championed Ives and other "moderns." Yet another two decades were to pass until Bernstein premiered the Second Symphony. Yet, in 1910, while shopping in a music store in preparation for his final return to Vienna, where he would die in less than a year's time, Gustav Mahler purchased a fair copy - one of only two or three in existence - of Ives's Third Symphony. Swafford doesn't make that big a deal about this, but I do. I've always thought that Ives and Mahler, aside from being near-contemporaries, had more in common than they did in opposition. It is just conjecture - but truly fascinating conjecture - to think what might have happened had Mahler premiered Ives's Third Symphony at a time in the life of Ives when it really might have made a difference.

Just what was Ives, as a composer? Bernstein did him no favors by calling him "a primitive; a Grandma Moses of music" while at the same time championing his music. Back in those days, there were no labels like "atonalist," "serialist," "avant-gardist," "post-modernist," what-have-you, that we tend to use today to compartmentalize a composer. To me, Ives was, well... an iconoclast, an "original," and, if a label must be applied, our first "pre-post-modern." He was never imitated, at least not successfully, not only because he didn't have his own students as did other composers, but because by the time his music enjoyed sufficient - if not plentiful - performances, composers' agendas were different.

Fortunately audiences think differently, and do enjoy Charlie's music. And you will enjoy this book.

Bob Zeidler

19 of 20 people found the following review helpful.
A Great American Composer Brought to Life
By Robin Friedman
Charles Ives (1874-1954)was the first, and still probably the greatest, composer of a distinctly American art ("classical") music. His relationship to American music seems to me roughly parallel to Walt Whitman's relationship to American poetry and to Charles Peirce's relationship to American philosophy. Like Peirce, Ives was little-known during his lifetime. Furthermore, while many people may be aware of Peirce and of Ives, a much smaller number have much acquaintance with their works.
Ives was born in Danbury, Connecticut and remained throughout his life attached to his vision of the post-Civil War small-town New England of his childhood. His father, George Ives, was a bandmaster and the greatest influence on Ives's life. Ives was a musical prodigy who began composing at an early age, quickly picking up experimental styles. He showed great proficiency at the piano and organ. (Through young manhood, we worked Sundays as a church organist.) He studied music at Yale where his teacher was Horatio Parker, a then famous American who was trained in the music of German Romanticism. As a college student, Ives wrote music played for the inaugaration of President William McKinley.
After graduation from Yale, Ives became a millionare in the insurance industry where he pioneered many marketing techniques. He also became increasingly Progessive and politically active and actually proposed a constitutional amendment which would increase the power of the democracy in government decision-making. At the age of 32, he married Harmony Twitchell who, after his father, was the greatest influence on his life.
Ives wrote music in the midst of an extraordinarily busy life. Most people think of Ives as a trailblazer and iconoclast. He was indeed, but may of his earlier works, such as the Second and the Third Symphonies are easily accessible and have a feel of America about them similar to the feelings Aaron Copland evoked some three decades later.
Jan Swafford's biography movingly and eloquently describes the life of Charles Ives. This is a reflective, thoughtful discussion of Ives, his America, his music, and its reception. In addition to a thorough treatment of Ives' life and works, Swafford has three chapters which he titles "Entra'acets" which consist of broad-based reflections on Ives's music and its significance. Swafford's entire book is full of ideas which are intriguing in themselves. Of Ives's work, Swafford gives his most extended treatment to the Fourth Symphony (he sees Ives as essentially a symphonist) and to the Concord piano Sonata. But many works are discussed in detail which will be accessible to the non-musician. The book has copious and highly substantive footnotes and an extensive bibliography.
Ives's Americanness, humor, romanticism, modernism, optimism, and generosity ( Ives gave large amounts of money to his family and to musicians and music publications. He also paid for the publication of several of his important works when commercial publishers showed no interest in them.) come through well. Swafford sees Ives as the last American transcendentalist in the tradition of Emerson. At the conclusion of his book, Swafford writes of Ives (p. 434)
" [I]n his music and his life he embodied a genuine pluralism, a wholeness beneath diversity, that in itself is a beacon for democracy and its art. Aesthetically he is an alternative to Modernism, an exploratory road without the darkness and despair of the twentieth century. In spirit he handed us a baton and calls on us to carry it further. He suggests a way out of despair, but leaves it to us to find the route for ourselves. If we are alone with ourselves today, Ives speaks incomparably to that condition."

This book made me want to learn more about and to hear the music of Charles Ives. In its own right, it is a joy and an inspiration to read.

16 of 18 people found the following review helpful.
Ives, the Bucky Fuller of American music!
By Autonomeus
Charlie Ives was a visionary, an idealist, and apparently a manic-depressive. Swafford tells his story in a compulsively readable fashion, and wins you over to the side of the irascible composer. Ives never made any money from his music, in fact he subsidized it with the fortune he made in the insurance industry. But he was generous in supporting the work of other sympathetic composers as well, including Henry Cowell.

Ives was rare in that he was a genius not only in music, but in business. Ives made a fortune in developing the modern, mass-market life insurance industry. He wrote a tremendously influential pamphlet in 1910, "The Amount to Carry," which pioneered estate planning. Ives was an idealist and an altruist even as he became wealthy -- he convinced himself that insurance was socially progressive, and motivated his sales staff with his lofty vision of cooperation. Later in life, he developed this into a plan for a People's World Union!

Ives' great successes all came together, early in life, following his marriage. He composed on the side as he built his company, burning the candle at both ends. Swafford speculates that Ives was literally manic during those heroic years of the Teens, and that he subsequently crashed, enduring more depression than mania for the rest of his life. Interestingly, the Great War was such a blow to his idealism, he reacted physically, compounding his collapse. Ives retired very young, but rather than turn to composing, he found that he was unable.

The rest of his life was devoted to trying to find an audience for the works of his glory years. I found the book most interesting here, in situating Ives in relation to the more well-known Modernists of his time -- Schoenberg, Stravinsky, Varese and the others. The irony is that while Ives' music came about independently, it was "popularized," only through association with the European revolutionaries, and so he was widely perceived as an imitator. The world was only ready for Charlie's music after the ground had been broken! The story of Cowell, Slonimsky, Carter, Gilman and Bernstein, who championed Ives over many years until he was finally recognized, is fascinating.

This is supremely enjoyable reading. Jan Swafford clearly loves Ives, and I found his account irresistable.

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Jumat, 20 Juli 2012

[Q330.Ebook] Ebook Free A Devil in Paradise (New Directions Bibelot), by Henry Miller

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A Devil in Paradise (New Directions Bibelot), by Henry Miller

“A perfect expression of Miller’s moral perspective as well as one of his outstanding demonstrations of narrative skill. It provides a wonderful cinematic view of two indomitable egotists in deadly conflict.” ―The Nation

The devil in Henry Miller’s Big Sur paradise is Conrad Moricand: “A friend of his Paris days, who, having been financed and brought over from Europe as an act of mercy by Mr. Miller, turns out as exacting, sponging, evil, cunning and ungrateful a guest as can be found in contemporary literature. Mr. Miller has always been a remarkable creator of character. Conrad Moricand is probably his masterpiece. . . .A Devil in Paradise is the work of a great novelist manqué, a novelist who has no stricter sense of form than the divine creator. . . .Fresh and intoxicating, funny and moving. . .” ―The Times Literary Supplement (London)

  • Sales Rank: #271051 in Books
  • Published on: 1993-04-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x .40" w x 4.80" l, .33 pounds
  • Binding: Paperback
  • 124 pages

From Publishers Weekly
A nightmarish houseguest provides the focus for one of Miller's signature autobiographical tales.
Copyright 1993 Reed Business Information, Inc.

Review
"Small and curious articles of virtu or objects of art"

A nightmarish houseguest provides the focus for one of Miller's signature autobiographical tales.

A nightmarish houseguest provides the focus for one of Miller's signature autobiographical tales. "

About the Author
Henry Miller (1891―1980) was one of the most controversial American novelists during his lifetime. His book, The Tropic of Cancer, was banned in the some U.S. states before being overruled by the Supreme Court. New Directions publishes several of his books.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A superb rant, very wry, a sardonic masterpiece
By Paris1929
From page one of this book Henry Miller exacts his revenge on his unwelcome houseguest. This book is a superb rant, filled with some of Henry Miller's most brilliant and amusing caricatures. Henry Miller deftly swings between sweet admiration and praise for the object of his troubles, and outright disgust. Set in Big Sur, later in his life, it's a short, easy read, and doesn't contain the profanities that cause some people shy away from in Henry Miller's books. Highly Recommended for those who want to laugh out loud at Henry Miller's audacity and want to better understand HM's genius.

2 of 2 people found the following review helpful.
a more mature miller
By A Customer
This book, unlike Miller's "Tropic of Cancer" or "Tropic of Capricorn", follows a pretty standard form. By this i mean that unlike some of Miller's other work, there is a definite plot to this book; a definite beginning, middle and end. In addition, it lacks the surreal atmosphere of these other works. However, Miller makes up for for this with a superb demonstration of his story-telling abilities. Rather than writing fragmented adventures, Miller here writes a book that flows from beginning to end. In this way, he is able to chronical the relationship that he has with the novel's antagonist, as well as with his wife and daughter. Although the decriptions are not as elaborate as in some of Miller's other works, the imagery is still superior to most other writers. Overall, this is a more toned-down Miller than in his early years as a writer, but for it lacks in youthful lust, "A Devil in Paradise" makes up with crafty story-telling, crisp imagery, and a more focused energy.

1 of 2 people found the following review helpful.
Mr. Millers houseguest
By A Customer
What this book is one of the shortest that I can recall Miller writing but one of his funniest. People that take Miller as just an erotic writer dealing with baudy sex and escapades may be disappointed with this read. But for those that truly realize that Miller had a great sense of humor will laugh out loud with this book. It is a story about an old acquaintence named Conrad Moricand that and needs a place to stay. Miller sets him up in an attic/loft at the Big Sur residence and gives Moricand the utmost hospitality at his disposal. Over the course of time, Moricand offends every member of the household to the point where miller regrets ever letting him into his house. To read how Miller lets the reader see exactly what moricand is like and the descriptive language he uses is priceless and any student of writing should study this book for hints.

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Rabu, 18 Juli 2012

[G385.Ebook] Download Ebook Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, by Michael Frye

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Digital Landscape Photography: In the Footsteps of Ansel Adams and the Great Masters, by Michael Frye

Updated, expanded, and covering the latest software, this new edition of the bestselling Digital Landscape Photography brings the amazing techniques pioneered by Ansel Adams and his contemporaries to every digital photographer. Ansel Adams' imagery - especially his iconic vision of the American National Parks - is widely published and instantly recognisable. Many photographers will have heard of his renowned Zone System, but that is just the tip of the iceberg; his unparalleled attention to detail, which once required hours in the darkroom with specialist tools, is finally accessible to all. Michael Frye's own photography provides many stunning examples of the results that can be achieved, and as one of Adams' natural successors in the field, he is well placed to analyse the many inspirational shots from the great masters of landscape photography. Combining the cutting edge of today's digital work with some of the best-known photos ever taken, this book a must-read for any landscape or nature photographer.

  • Sales Rank: #1345192 in Books
  • Published on: 2015-11-05
  • Original language: English
  • Dimensions: 8.39" h x .55" w x 9.37" l, 1.34 pounds
  • Binding: Paperback

Review
[Frye's] images are accomplished and he has captured the spirit of Yosemite, its unpredictable and dramatic weather and light very well. He uses his images and those of Ansel Adams and Eliot Porter to great effect to illustrate his lessons in improving our digital images. The book is peppered with quotes from these renowned image makers and he draws on many of their techniques. (Review of 1st edtion) -- Doug Chinnery On Landscape

About the Author
Michael Frye is a professional photographer specializing in landscapes and nature. He has written numerous magazine articles on the art and technique of photography, and is the author and photographer of The Photographer's Guide to Yosemite, three titles in the Yosemite Meditations series, and three ebooks, including Landscapes in Lightroom: The Essential Step-by-Step Guide. His photographs have been published in over thirty countries around the world, and magazine credits include National Wildlife, Outdoor Photographer, American Photo, Sunset, and Texas Highways. Michael has lived near Yosemite National Park in California since 1983.

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1 of 1 people found the following review helpful.
Very competent introduction to the many aspects of landscape photography.
By Michael Brochstein
Very good introduction to landscape photography. Recommended for advanced beginner, intermediate (best) or possibly advanced photographers but not to beginning photographers.

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